Cambridge University Press is part of the University of Cambridge.
It furthers the University's mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
José Abascal 56, 1° – 28003 Madrid, Spain
© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B1 DVD-ROM: 9788490366660
Digital Empower B1 Online: 9788490362747
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones
Teacher's Book: Lynda Edwards with Ruth Gairns, Stuart Redman, Wayne Rimmer
The publishers would like to thank the following teachers and ELTprofessionals for the invaluable feedback they provided during thedevelopment of the B1 Student's book:
Andre Alipio, Brazil; Peggy Altpekin, Turkey/Gulf; Kate Chomacki,UK; Leonor Corradi, Argentina; Sandra Aliotti, Argentina;Ludmila Gorodetskaya, Russia; Ralph Grayson, Peru; LudmilaKozhevnikova, Russia; Catherine Morley, Spain; Antonio MotaCosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil;Elena Pro, Spain; Michael Ward, UK
The publishers are grateful to the following contributors: CatherineSmith: writer (Speaking Plus); Julie Moore: writer (Get it right!);Louise Davoren: editor (English for Spanish Speakers); CharlotteJohnson: editor (English for Spanish Speakers); Gareth Boden:commissioned photography; Leon Chambers, Theo Jaskolkowski(English for Spanish Speakers) and Robert Campbell (Englishfor Spanish Speakers): audio recordings; Hilary Luckcockand Paloma Bermejo (English for Spanish Speakers): pictureresearch, commissioned photography; Rob Maidment and SharpFocus Productions: video recordings; Lanchuela: design andtypesetting (English for Spanish Speakers)
The authors and publishers acknowledge the following sourcesof copyright material and are grateful for the permissionsgranted. While every effort has been made, it has not alwaysbeen possible to identify the sources of all the material used,or to trace all copyright holders. If any omissions are broughtto our notice, we will be happy to include the appropriateacknowledgements on reprinting. The publisher has used itsbest endeavours to ensure that the URLs for external websitesreferred to in this book are correct and active at the time of goingto press. However, the publisher has no responsibility for thewebsites and can make no guarantee that a site will remain liveor that the content is or will remain appropriate.
The publishers are grateful to the following for permission toreproduce copyright photographs and material: p. 18 Book coverof 'Yes Man'(Eallace,D), Artwork © Two Associates Published byarrangement with The Random House Group Limited; p. 21adapted from 'Passengers on broken-down National Expresscoach get out and push it to bus depot' Daily Mail; pp. 28-29adapted from 'Have you ever stopped to help a stranger or beenhelped by a stranger?'(Webb,G) 24/10/2012 with kind permissionfrom Gretchen Webb; p .34(Oxfam Logo) reproduced with thepermission of Oxfam GB, Oxfam House, John Smith Drive,Cowley, Oxford OX4 2JY, UK www.oxfam.org.uk. Oxfam GB doesnot necessarily endorse any text or activities that accompany thematerials; p .34 (Greenpeace Logo) with permission fromGreenpeace; pp .48-49 (2b-d) adapted from 'City & Guilds' withpermission, The City and Guilds of London Institute accepts noliability for the contents of this book; pp. 60-61 adapted from'Experience: Sharks saved my life'(Spence,C) 26/09/2009, TheGuardian, © Guardian News & Media Ltd 2009; p. 68 (1) from'Oprah Interviews - Nelson Mandela' with permission from theNelson Mandela Foundation; p. 68 (2) from 'Brad Pit: A life solarge' (Junod,T) 20/05/2013, Esquire with permission fromEsquire; p. 68 (3), from 'Interview: Jane Goodall on the Future ofPlants and Chimps'(Stromberg,J) 21/02/2013, SmithsonianMagazine with permission from Smithsonian; p. 69 (4), fromBeyonce interview: 'Motherhood has changed everything'(Manelis,M/Marriner,N) New Zealand Herald with permissionfrom the New Zealand Herald; p. 69 (5) from 'Rupert Grint: I'mkind of excited The actor talks about life after Harry Potter'(Barkham,P) The Guardian, Originally published in TheGuardian. Reproduced with the consent of Guardian News &Media Ltd; p. 69(6) from 'Seoul Singer' (Wayne,G) Condé Nast,all rights reserved; p. 84 Book cover of 'Cambridge EnglishReaders Level 3: A Puzzle for Logan'(MacAndrew,R),©Cambridge University Press, reproduced with permission,photograph by Paul Gardiner, courtesy of Film Edinburgh(formerly Edinburgh Film Focus); p. 84 Book cover of 'CambridgeEnglish Readers Level 3: Eye of the Storm' (Loader,M),©Cambridge University Press; p. 85 Book cover of 'CambridgeEnglish Readers Level 3: Two Lives' (Naylor,H),© CambridgeUniversity Press; p. 90 adapted from 'Michael Phelps turnstables on childhood bullies'(Forde,P) 27/07/2012,Yahoo Sports,with permission from Patrick Forde; p. 91 adapted from 'PeterJackson biography' www.biography.com/people/peterjackson-37009; p. 91 adapted from 'Interview With Benicio DelToro' (FeatsPress) Feats Press Agency with permission.
Key: L = left, C = centre, R = right, T = top, B = bottomp7: Panos/Piotr Malecki; p8: Shutterstock/Yayayoyo; p9(T):Shutterstock/Yayayoyo; p9(B): Shutterstock/Yayayoyo; p10(TL):Shutterstock/Charlotte Purdy; p10(TR): Shutterstock/TravisManley; p10(BL): Shutterstock/Ilaszio; p10(BR): Shutterstock/beboy; pp14/15(background): Alamy/Randolph Images; p14(T):Thinkstock/Stockbyte; p14(B): Alamy/Tetra Images; p15: BlendImages/Jon Feingersh; p17: Magnum Photos/Ian Berry; p18(T)(inset): pp18(T)/19(L): Shutterstock/Kodentseva; pp18/19(B):Alamy/Shirley Kilpatrick; p19(R): Corbis/Christine Pemberton/LatitudeSt; p20(T): Getty/AFP; p20(C): Alamy/Sergio Azenha;p20(B): Thinkstock/Fuse; p21: Albanpix.com; p24(T): Corbis/SUPRI/Reuters; p24(CL): Shutterstock/Dimos; p24(CR): Getty/AFP; p24(BL): Shutterstock/Ziye; p24(BR): Shutterstock/MatekHudovernik; p25: Alamy/Jack Malipan Travel Photography; p27:Getty/ArabianEye; p28: Alamy/Jim West; p29: KindnessTrust;p30(T): Shutterstock/Sergey Mironov; p30(BL): Alamy/incamerastock; 30(BR): Alamy/Paul Rapson; p31(BR):Shutterstock/Sergey Mironov; p34(T)(inset): Oxfam; p34(T):Oxfam/Abbie Trayler-Smith; p34(C)(inset): National Trust; p34(C):Rex/Sefton Samuels; p34(B)(inset): Greenpeace; p34(B):Greenpeace/Markus Mauthe; p37: Panos/Andrea Gjestvang;p38(L): Rex /Geoffrey Robinson; p38(R): Simon Lamb; p39(TL):Shutterstock/Bui Viet Hung; p39(TR): Corbis/Issei Kato/Reuters;p39(BL): South American Pictures/Tony Morrison; p39(BR):Alamy/Ian Shaw; p40: Shutterstock/Neale Cousland; p41(TL):Getty/Bloomberg; p41(TC): Superstock/JTB Photo; p41(TR):Shutterstock/Perati Komson; p41(BL): Thinkstock/istockphoto;p41(BR): Alamy/Paul Brown; pp44/45(B): Alamy/Jiri Hubatka;p44(TL): Getty/nullplus; p44(TR): Getty/Jake Curtis; p44(BL):Superstock/Fancy Collection; p44(BR): Corbis/Image Source;p47: Corbis/Louie Psihoyos; p49(TL): Thinkstock/istockphoto;p49(TR): Science Photo Library/Dan Dunkley; p49(CL): Corbis/Image Source; p49(CR): Corbis/Erik Isakson/Tetra Images;p49(B): Shutterstock/Lurin; p50(L): Shutterstock/arek_malang;p50(C): Shutterstock/Monkey Business Images; p50(R):Shutterstock/arek_malang; p51(a): Shutterstock/DmitryKalinovsky; p51(b): Shutterstock/Andreas G Karelias; p51(c):Alamy/Peter Titmuss; p51(d): Alamy/aber CPC; p51(e): Alamy/David J Green - Lifestyle themes; p55: Alamy/Images-USA; p57:Alamy/IML Image Group Ltd; p58(TL): Shutterstock/gpointstudio;p58(TR): Corbis/Dinuka Liyanawatte/Reuters; p58(UCL):Shutterstock/stockkete; p58(UCR): Alamy/Janine Wiedel PhotoLibrary; p58(LCL): Thinkstock/shironosov; p58(LCR): Getty/ChrisFertnig; p58(BL): Alamy/Lev Dolgachov; p58(BR): Shutterstock/Marcin Balcerzak; p60(L): Guardian News & Media Ltd/JoelRedman; p60(e): Shutterstock/Rich Carey; p60(f): Shutterstock/Rich Carey; p60/61: Shutterstock/Rich Carey; p61(T): Rex/Cultura; p61(BL): Shutterstock/f9 Photos; p61(BR): Shutterstock/Rich Carey; p64(TL): Shutterstock/Nadino; p64(CR): Thinkstock/Hemera Technologies; p64(TR): Thinkstock/istockphoto; p67:Corbis/Barry Lewis/In Pictures; p68(T): Getty/GC Images; p68(C):Corbis/Ulli Michel/Reuters; p68(B): Corbis/Kennan Ward;p69(TL): Getty/Robyn Beck/AFP; p69(TC): Rex/E Charbonneau/BEI; p69(TR): Corbis/Reuters/Tim Wimborne; p69(CL): Getty/Latin Content; p69(BL): Rex/Gregory Pace/BEI; p70(TL): Corbis/Bettmann; p70(TC): Corbis/Bettmann; p70(TR): Corbis/HArmstrong Roberts/ClassicStock; p70(BR): Getty/George Marks;p71(T): Corbis/BBC; p71(B): Corbis/Kirn Vintage Stock; p74(TL):Shutterstock/eurobanks; p74(TC): Thinkstock/Blend Images;p74(TR): Shutterstock/Chubykin Arkady; p74(B): Shutterstock/MSPhotographic; p75: Shutterstock/MSPhotographic; p77:Corbis/Picture Hooked/LOOP Images; p78(1): Magnum Photos/Steve McCurry; p78(2): Alamy/CBW; p78(3): Lebrecht Music &Arts; p78(4): Superstock/Exotica im/Exotica; p79(5):Shutterstock/Regien Paassen; p79(6): Alamy/Jeffrey Blackler;p79(7): Rex/Image Source; p79(8): Alamy/Ben Molyneux;p79(9): Rex/SNAP; p79(10); Alamy/A F Archive; p80(T): Corbis/Andrew Mills/Star Ledger; p80(C): Rex/DPPI; p80(B): Corbis/Bettmann; p81(TR): Alamy/redbrickstock.com; p81(BL):Shutterstock/Val Thoermer; p81(BC): Shutterstock/lightpoet;p81(BR): Shutterstock/Maxim Blinkov; p84(all): CUP: p85(T):Shutterstock/Felix Mizioznikov; p85(TC): Shutterstock/FelixMizioznikov; p85(BC): Shutterstock/aastock; p85(B):Shutterstock/Jomar Aplaon; p87: Corbis/Thomas Mukoya/Reuters; p90(T): Rex/Everett Collection; p90(C): Rex/Sipa USA;p90(B): Rex/Villard/SIPA; p91(T): Rex/Jonathan Hordle; p91(C):Rex/Startraks Photo; p91(B): Rex/Picture Perfect; p94: Corbis/Plush Studios/Bill Reitzel/Blend Images; p95: Getty/quavondo;p97: Getty/Cultura/Joseph Giacomin; p104(L): Corbis/AxelDupeux; p104(C): Corbis/Peter Dressel/Blend Images;pp104(R)/105(L): Getty/Hans Neleman; p107: Science PhotoLibrary/Peter Menzel; p108(TL): Alamy/Vicky Beaver; p108(TR):Caroline Eastwood; p108(UCL): Ronald Grant Archive/Universal;p108(LCL): Kobal/Marvel/Paramount; p108(CR): Kobal/Amblin/Dreamworks/Paramount; p108(BR): Ronald Grant Archive/Dreamworks SKG/Amblin/c20th Fox; p109(TL): Alamy/ A FArchive; p109(TR): Kobal/Amblin/Universal; p109(BL): Rex/c. W.Disney/Everett; p109(bird smoke detector): The Initiator &Company, Netherlands; p109(grass charging station): KikkerlandProducts; p109(induction hob): Supplied by Stellar; p110(TL):Shutterstock/anders photo; p110(TC): Shutterstock/©by Paul;p110(TR): Shutterstock/Neale Cousland; p110(BL): Getty/SSPL;p110(BR): Getty/AFP; p111: Lee Grismer; p112(Nissan logo):Alamy/Peter Probst; p112(Toyota logo): Toyota; p112(Hondalogo): Alamy/Peter Probst; p112(Suzuki logo): Alamy/PSLImages; p117: FLPA/Suzi Eszterhas/Minden Pictures; p118(1):Shutterstock/Evgeniy Ayupov; p118(2): Shutterstock/J D Carballo;p118(3): Shutterstock/prapass; p118(4): Shutterstock/HenrikLarsson; p118(5): Shutterstock/andamanec; p118(B):Shutterstock/andamanec; p119(6): Shutterstock/Eric Isselee;p119(7): Shutterstock/Eric Isselee; p119(8): Shutterstock/idreamphoto; p127(lips telephone): Alamy/Paul Springett 03;p127(spice rack): Alamy/PhotoSlinger; p127(football mug):Alamy/Lenscap; p127(candles): Alamy/Mouse in the House;p127(clock): Alamy/James Jackson; p127(slippers): Alamy/Andrew Twort; p128: Albanpix.com; p130(L)(lips telephone):Alamy/Paul Springett 03; p130(L)(spice rack): Alamy/PhotoSlinger; p130(L)(football mug): Alamy/Lenscap; p130(L)(candles): Alamy/Mouse in the House; p130(L)(clock): Alamy/James Jackson; p130(L)(slippers): Alamy/Andrew Twort;p130(R): Alamy/Lev Dolgachov; p132: Alamy/Lev Dolgachov;p135(1): Shutterstock/PhotoBlink; p135(2): Shutterstock/Coprid;p135(3): Shutterstock/Jacek Bieniek; p135(4): Shutterstock/Peter Djordjevic; p135(5): Thinkstock/istockphoto; p135(6):Thinkstock/Photodisc; p135(7): istockphoto/gsermek; p135(8):Shutterstock/Sagir; p135(9): istockphoto/PeJo29; p135(10):Shutterstock/Elnur; p135(11): Shutterstock/Ivaschenko Roman;p135(12): Shutterstock/bemashato; p136(T)(a): Corbis/Blend;p136(T)(b): Shutterstock/Lurin; p136(T)(c): Corbis/Rubberball;p136(T)(d): Masterfile/Chad Johnston; p136(T)(e): SciencePhoto Library/Dan Dunkley; p136(T)(f): Thinkstock/ElenaElisseeva; p136(T)(g): Corbis/Image Source; p136(T)(h): Corbis/Cardinal; p136(T)(i): Thinkstock/istockphoto; p136(B)(a):Shutterstock/Faraways; p136(B)(b): Alamy/Peter Titmuss;p136(B)(c): Corbis/ocean; p136(B)(d): Alamy/aber CPC; p136(B)(e): Shutterstock/Andreas G Karelias; p136(B)(f): Shutterstock/Dmitry Kalinovsky; p136(B)(g): Shutterstock/Chad McDermott;p136(B)(h): Shutterstock/Monkey Business Images; p136(B)(i):Alamy/Geraint Lewis; p136(B)(j): Thinkstock/istockphoto;p136(B)(k): Alamy/David J Green - Lifestyle themes; p138(a):Shutterstock/bikeriderlondon; p138(b): Alamy/redbrickstock.com; p138(c): Alamy/CTK; p138(d): Shutterstock/Maxim Blinkov;p138(e): Alamy/Bubbles Photo Library; p138(f): Shutterstock/homydesign; p138(g): Shutterstock/Val Thoermer; p138(h):Corbis/Billy Hustace; p138(i): Shutterstock/katatonia 82; p138(j):Corbis/Aflo; p138(k): Shutterstock/Jakub Cejpek; p138(l): Alamy/Eileen Langstey Gymnastics; p138(m): Shutterstock/Khoroshunova Olga; p138(n): Shutterstock/lightpoet; p138(o):Shutterstock/Daniela Sachsenheimer; p166(T): Sven Hagolan/Corbis; p166 (R): Emma Innocenti/Corbis; p166 (L): AnnaBryukhanova/Getty Images; p168 (Bckgr): Phuong D. Nguyen/Shutterstock; p168 (L): one-image photography/Alamy; p168(R): Phuong D. Nguyen/Shutterstock; p170 (TR): British RetailPhotography/Alamy; p. 170 (BR): Shopping Mall/Alamy; p170(BL): Don Tonge/Alamy; p170 (TL): CandyBox Images/Shutterstock; p172 (TL): Monkey Business Images/Shutterstock;p172 (R) ACE STOCK LIMITED/Alamy; p172 (BL): CI2/Alamy;p174 (TL): Westend61/Getty Images; p174 (TR): Goodluz/Shutterstock; p176: David Shopper/Corbis; p178 (L): MBI/Alamy;p. 178 (R): Stockbroker/Alamy; p180 (TL): Studio ThreeDots/Getty Images; p180 (R): David J. Green – Lifestyle/Alamy; p180(BL): blvdone/Shutterstock; p182 (L): Wavebreak Media Ltd./Corbis; p82 (C): Juice Images/Alamy; p182 (R): Robert Niedring/Corbis; p. 184 (L) (male): Zurijeta/Shutterstock; p184 (L)(hanger): Kzww/Shutterstock; p184 (L) (background): Antonio-I /Shutterstock; p184 (R) allesalltag/Alamay; p186: Cultura Creative(RF)/Alamy; p188 (L): Kichigin/Shutterstock; p188 (R): CulturaRM/Alamy; p188 (B): Tetra Images/Corbis; p190: Richard Levine/Alamy; p191: Tim Pannell/Corbis; p194: Pavel Ilyukhin/Shutterstock.
Commissioned photography by Gareth Boden: pp31(TL,TC,TR),32(CL,CR,BL,BR), 35, 64.
We are grateful to Grand Arcade, Cambridge and Stephen PerseSenior School, Cambridge for their help with the commissionedphotography.
The following stills were taken on commission by Rob Maidmentand Sharp Focus Productions for Cambridge University Press:
pp12, 13, 22, 23, 32(T), 33, 42, 43, 52(T,B), 62, 63, 72, 82, 83,92, 93, 102, 103, 113(T), 122, 123
Front cover photograph Shutterstock/zhu difeng.
Cover design: Chefer
The publishers would like to thank the following illustrators:
Mark Bird; Mark Duffin; Sean KJA; Jo Goodberry; DusanLakicevic; Carrie May; Jerome Mireault; Roger Penwill; GavinReece; Gregory Roberts; Martin Sanders; Sean Sims; Marie-EveTremblay; Antonio Cuesta Cornejo (English for Spanish Speakers)
Corpus Development of this publication has made use of theCambridge English Corpus (CEC). The CEC is a computerdatabase of contemporary spoken and written English, whichcurrently stands at over one billion words. It includes BritishEnglish, American English and other varieties of English. Italso includes the Cambridge Learner Corpus, developedin collaboration with the University of Cambridge ESOLExaminations. Cambridge University Press has built up the CECto provide evidence about language use that helps to producebetter language teaching materials.
English Profile This product is informed by the EnglishVocabulary Profile, built as part of English Profile, a collaborativeprogramme designed to enhance the learning, teaching andassessment of English worldwide. Its main funding partners areCambridge University Press and Cambridge ESOL and its aim isto create a 'profile' for English linked to the Common EuropeanFramework of Reference for Languages (CEFR). English Profileoutcomes, such as the English Vocabulary Profile, will providedetailed information about the language that learners can beexpected to demonstrate at each CEFR level, offering a clearbenchmark for learners' proficiency. For more information, pleasevisit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is theworld's most widely used dictionary for learners of English.Including all the words and phrases that learners are likely tocome across, it also has easy-to-understand definitions andexample sentences to show how the word is used in context. TheCambridge Advanced Learner's Dictionary is available online atdictionary.cambridge.org. © Cambridge University Press, ThirdEdition, 2008 reproduced with permission.