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Thanks and acknowledgements
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© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B1 DVD-ROM: 9788490366660
Digital Empower B1 Online: 9788490362747
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones with Graham Burton
Workbook: Peter Anderson
Teacher's Book: Lynda Edwards with Ruth Gairns, Stuart Redman, Wayne Rimmer, Helen Ward and Julian Oakley
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they provided during the development of the B1 Student's book: Andre Alipio, Brazil; Peggy Altpekin, Turkey/Gulf; Kate Chomacki,UK; Leonor Corradi, Argentina; Sandra Aliotti, Argentina; Ludmila Gorodetskaya, Russia; Ralph Grayson, Peru; Ludmila Kozhevnikova, Russia; Catherine Morley, Spain; Antonio Mota Cosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil; Elena Pro, Spain; Michael Ward, UK
The publishers are grateful to the following contributors: Catherine Smith: writer (Speaking Plus); Julie Moore: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Charlotte Johnson: editor (English for Spanish Speakers); Gareth Boden: commissioned photography; Leon Chambers, Theo Jaskolkowski (English for Spanish Speakers) and Robert Campbell (English for Spanish Speakers): audio recordings; Hilary Luckcock and Paloma Bermejo (English for Spanish Speakers): picture research, commissioned photography; Rob Maidment and Sharp Focus Productions: video recordings; Lanchuela: design and typesetting (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material: p. 18 Book cover of 'Yes Man'(Eallace,D), Artwork © Two Associates Published by arrangement with The Random House Group Limited; p. 21 adapted from 'Passengers on broken-down National Express coach get out and push it to bus depot' Daily Mail; pp. 28-29 adapted from 'Have you ever stopped to help a stranger or been helped by a stranger?'(Webb,G) 24/10/2012 with kind permission from Gretchen Webb; p .34(Oxfam Logo) reproduced with the permission of Oxfam GB, Oxfam House, John Smith Drive, Cowley, Oxford OX4 2JY, UK www.oxfam.org.uk. Oxfam GB does not necessarily endorse any text or activities that accompany the materials; p .34 (Greenpeace Logo) with permission from Greenpeace; pp .48-49 (2b-d) adapted from 'City & Guilds' with permission, The City and Guilds of London Institute accepts no liability for the contents of this book; pp. 60-61 adapted from 'Experience: Sharks saved my life'(Spence,C) 26/09/2009, The Guardian, © Guardian News & Media Ltd 2009; p. 68 (1) from 'Oprah Interviews - Nelson Mandela' with permission from the Nelson Mandela Foundation; p. 68 (2) from 'Brad Pit: A life so large' (Junod,T) 20/05/2013, Esquire with permission from Esquire; p. 68 (3), from 'Interview: Jane Goodall on the Future of Plants and Chimps'(Stromberg,J) 21/02/2013, Smithsonian Magazine with permission from Smithsonian; p. 69 (4), from Beyonce interview: 'Motherhood has changed everything' (Manelis,M/Marriner,N) New Zealand Herald with permission from the New Zealand Herald; p. 69 (5) from 'Rupert Grint: I'm kind of excited The actor talks about life after Harry Potter' (Barkham,P) The Guardian, Originally published in The Guardian. Reproduced with the consent of Guardian News & Media Ltd; p. 69(6) from 'Seoul Singer' (Wayne,G) Condé Nast, all rights reserved; p. 84 Book cover of 'Cambridge English Readers Level 3: A Puzzle for Logan'(MacAndrew,R),© Cambridge University Press, reproduced with permission, photograph by Paul Gardiner, courtesy of Film Edinburgh (formerly Edinburgh Film Focus); p. 84 Book cover of 'Cambridge English Readers Level 3: Eye of the Storm' (Loader,M),© Cambridge University Press; p. 85 Book cover of 'Cambridge English Readers Level 3: Two Lives' (Naylor,H),© Cambridge University Press; p. 90 adapted from 'Michael Phelps turns tables on childhood bullies'(Forde,P) 27/07/2012,Yahoo Sports, with permission from Patrick Forde; p. 91 adapted from 'Peter Jackson biography' www.biography.com/people/peterjackson-37009; p. 91 adapted from 'Interview With Benicio Del Toro' (FeatsPress) Feats Press Agency with permission.
Key: L = left, C = centre, R = right, T = top, B = bottom
p7: Panos/Piotr Malecki; p8: Shutterstock/Yayayoyo; p9(T): Shutterstock/Yayayoyo; p9(B): Shutterstock/Yayayoyo; p10(TL): Shutterstock/Charlotte Purdy; p10(TR): Shutterstock/Travis Manley; p10(BL): Shutterstock/Ilaszio; p10(BR): Shutterstock/ beboy; pp14/15(background): Alamy/Randolph Images; p14(T): Thinkstock/Stockbyte; p14(B): Alamy/Tetra Images; p15: Blend Images/Jon Feingersh; p17: Magnum Photos/Ian Berry; p18(T) (inset): pp18(T)/19(L): Shutterstock/Kodentseva; pp18/19(B): Alamy/Shirley Kilpatrick; p19(R): Corbis/Christine Pemberton/ LatitudeSt; p20(T): Getty/AFP; p20(C): Alamy/Sergio Azenha; p20(B): Thinkstock/Fuse; p21: Albanpix.com; p24(T): Corbis/ SUPRI/Reuters; p24(CL): Shutterstock/Dimos; p24(CR): Getty/ AFP; p24(BL): Shutterstock/Ziye; p24(BR): Shutterstock/Matek Hudovernik; p25: Alamy/Jack Malipan Travel Photography; p27: Getty/ArabianEye; p28: Alamy/Jim West; p29: KindnessTrust; p30(T): Shutterstock/Sergey Mironov; p30(BL): Alamy/ incamerastock; 30(BR): Alamy/Paul Rapson; p31(BR): Shutterstock/Sergey Mironov; p34(T)(inset): Oxfam; p34(T): Oxfam/Abbie Trayler-Smith; p34(C)(inset): National Trust; p34(C): Rex/Sefton Samuels; p34(B)(inset): Greenpeace; p34(B): Greenpeace/Markus Mauthe; p37: Panos/Andrea Gjestvang; p38(L): Rex /Geoffrey Robinson; p38(R): Simon Lamb; p39(TL): Shutterstock/Bui Viet Hung; p39(TR): Corbis/Issei Kato/Reuters; p39(BL): South American Pictures/Tony Morrison; p39(BR): Alamy/Ian Shaw; p40: Shutterstock/Neale Cousland; p41(TL): Getty/Bloomberg; p41(TC): Superstock/JTB Photo; p41(TR): Shutterstock/Perati Komson; p41(BL): Thinkstock/istockphoto; p41(BR): Alamy/Paul Brown; pp44/45(B): Alamy/Jiri Hubatka; p44(TL): Getty/nullplus; p44(TR): Getty/Jake Curtis; p44(BL): Superstock/Fancy Collection; p44(BR): Corbis/Image Source; p47: Corbis/Louie Psihoyos; p49(TL): Thinkstock/istockphoto; p49(TR): Science Photo Library/Dan Dunkley; p49(CL): Corbis/ Image Source; p49(CR): Corbis/Erik Isakson/Tetra Images; p49(B): Shutterstock/Lurin; p50(L): Shutterstock/arek_malang; p50(C): Shutterstock/Monkey Business Images; p50(R): Shutterstock/arek_malang; p51(a): Shutterstock/Dmitry Kalinovsky; p51(b): Shutterstock/Andreas G Karelias; p51(c): Alamy/Peter Titmuss; p51(d): Alamy/aber CPC; p51(e): Alamy/ David J Green - Lifestyle themes; p55: Alamy/Images-USA; p57: Alamy/IML Image Group Ltd; p58(TL): Shutterstock/gpointstudio; p58(TR): Corbis/Dinuka Liyanawatte/Reuters; p58(UCL): Shutterstock/stockkete; p58(UCR): Alamy/Janine Wiedel Photo Library; p58(LCL): Thinkstock/shironosov; p58(LCR): Getty/Chris Fertnig; p58(BL): Alamy/Lev Dolgachov; p58(BR): Shutterstock/ Marcin Balcerzak; p60(L): Guardian News & Media Ltd/Joel Redman; p60(e): Shutterstock/Rich Carey; p60(f): Shutterstock/ Rich Carey; p60/61: Shutterstock/Rich Carey; p61(T): Rex/ Cultura; p61(BL): Shutterstock/f9 Photos; p61(BR): Shutterstock/ Rich Carey; p64(TL): Shutterstock/Nadino; p64(CR): Thinkstock/ Hemera Technologies; p64(TR): Thinkstock/istockphoto; p67: Corbis/Barry Lewis/In Pictures; p68(T): Getty/GC Images; p68(C): Corbis/Ulli Michel/Reuters; p68(B): Corbis/Kennan Ward; p69(TL): Getty/Robyn Beck/AFP; p69(TC): Rex/E Charbonneau/ BEI; p69(TR): Corbis/Reuters/Tim Wimborne; p69(CL): Getty/ Latin Content; p69(BL): Rex/Gregory Pace/BEI; p70(TL): Corbis/ Bettmann; p70(TC): Corbis/Bettmann; p70(TR): Corbis/H Armstrong Roberts/ClassicStock; p70(BR): Getty/George Marks; p71(T): Corbis/BBC; p71(B): Corbis/Kirn Vintage Stock; p74(TL): Shutterstock/eurobanks; p74(TC): Thinkstock/Blend Images; p74(TR): Shutterstock/Chubykin Arkady; p74(B): Shutterstock/ MSPhotographic; p75: Shutterstock/MSPhotographic; p77: Corbis/Picture Hooked/LOOP Images; p78(1): Magnum Photos/ Steve McCurry; p78(2): Alamy/CBW; p78(3): Lebrecht Music & Arts; p78(4): Superstock/Exotica im/Exotica; p79(5): Shutterstock/Regien Paassen; p79(6): Alamy/Jeffrey Blackler; p79(7): Rex/Image Source; p79(8): Alamy/Ben Molyneux; p79(9): Rex/SNAP; p79(10); Alamy/A F Archive; p80(T): Corbis/ Andrew Mills/Star Ledger; p80(C): Rex/DPPI; p80(B): Corbis/ Bettmann; p81(TR): Alamy/redbrickstock.com; p81(BL): Shutterstock/Val Thoermer; p81(BC): Shutterstock/lightpoet; p81(BR): Shutterstock/Maxim Blinkov; p84(all): CUP: p85(T): Shutterstock/Felix Mizioznikov; p85(TC): Shutterstock/Felix Mizioznikov; p85(BC): Shutterstock/aastock; p85(B): Shutterstock/Jomar Aplaon; p87: Corbis/Thomas Mukoya/Reuters; p90(T): Rex/Everett Collection; p90(C): Rex/Sipa USA; p90(B): Rex/Villard/SIPA; p91(T): Rex/Jonathan Hordle; p91(C): Rex/Startraks Photo; p91(B): Rex/Picture Perfect; p94: Corbis/ Plush Studios/Bill Reitzel/Blend Images; p95: Getty/quavondo; p97: Getty/Cultura/Joseph Giacomin; p104(L): Corbis/Axel Dupeux; p104(C): Corbis/Peter Dressel/Blend Images; pp104(R)/105(L): Getty/Hans Neleman; p107: Science Photo Library/Peter Menzel; p108(TL): Alamy/Vicky Beaver; p108(TR): Caroline Eastwood; p108(UCL): Ronald Grant Archive/Universal; p108(LCL): Kobal/Marvel/Paramount; p108(CR): Kobal/Amblin/ Dreamworks/Paramount; p108(BR): Ronald Grant Archive/ Dreamworks SKG/Amblin/c20th Fox; p109(TL): Alamy/ A F Archive; p109(TR): Kobal/Amblin/Universal; p109(BL): Rex/c. W. Disney/Everett; p109(bird smoke detector): The Initiator & Company, Netherlands; p109(grass charging station): Kikkerland Products; p109(induction hob): Supplied by Stellar; p110(TL): Shutterstock/anders photo; p110(TC): Shutterstock/©by Paul; p110(TR): Shutterstock/Neale Cousland; p110(BL): Getty/SSPL; 110(BR): Getty/AFP; p111: Lee Grismer; p112(Nissan logo): Alamy/Peter Probst; p112(Toyota logo): Toyota; p112(Honda logo): Alamy/Peter Probst; p112(Suzuki logo): Alamy/PSL Images; p117: FLPA/Suzi Eszterhas/Minden Pictures; p118(1): Shutterstock/Evgeniy Ayupov; p118(2): Shutterstock/J D Carballo; p118(3): Shutterstock/prapass; p118(4): Shutterstock/Henrik Larsson; p118(5): Shutterstock/andamanec; p118(B): Shutterstock/andamanec; p119(6): Shutterstock/Eric Isselee; p119(7): Shutterstock/Eric Isselee; p119(8): Shutterstock/ idreamphoto; p127(lips telephone): Alamy/Paul Springett 03; p127(spice rack): Alamy/PhotoSlinger; p127(football mug): Alamy/Lenscap; p127(candles): Alamy/Mouse in the House; p127(clock): Alamy/James Jackson; p127(slippers): Alamy/ Andrew Twort; p128: Albanpix.com; p130(L)(lips telephone): Alamy/Paul Springett 03; p130(L)(spice rack): Alamy/ PhotoSlinger; p130(L)(football mug): Alamy/Lenscap; p130(L) (candles): Alamy/Mouse in the House; p130(L)(clock): Alamy/ James Jackson; p130(L)(slippers): Alamy/Andrew Twort; p130(R): Alamy/Lev Dolgachov; p132: Alamy/Lev Dolgachov; p135(1): Shutterstock/PhotoBlink; p135(2): Shutterstock/Coprid; p135(3): Shutterstock/Jacek Bieniek; p135(4): Shutterstock/ Peter Djordjevic; p135(5): Thinkstock/istockphoto; p135(6): Thinkstock/Photodisc; p135(7): istockphoto/gsermek; p135(8): Shutterstock/Sagir; p135(9): istockphoto/PeJo29; p135(10): Shutterstock/Elnur; p135(11): Shutterstock/Ivaschenko Roman; p135(12): Shutterstock/bemashato; p136(T)(a): Corbis/Blend; p136(T)(b): Shutterstock/Lurin; p136(T)(c): Corbis/Rubberball; p136(T)(d): Masterfile/Chad Johnston; p136(T)(e): Science Photo Library/Dan Dunkley; p136(T)(f): Thinkstock/Elena Elisseeva; p136(T)(g): Corbis/Image Source; p136(T)(h): Corbis/ Cardinal; p136(T)(i): Thinkstock/istockphoto; p136(B)(a): Shutterstock/Faraways; p136(B)(b): Alamy/Peter Titmuss; p136(B)(c): Corbis/ocean; p136(B)(d): Alamy/aber CPC; p136(B) (e): Shutterstock/Andreas G Karelias; p136(B)(f): Shutterstock/ Dmitry Kalinovsky; p136(B)(g): Shutterstock/Chad McDermott; p136(B)(h): Shutterstock/Monkey Business Images; p136(B)(i): Alamy/Geraint Lewis; p136(B)(j): Thinkstock/istockphoto; p136(B)(k): Alamy/David J Green - Lifestyle themes; p138(a): Shutterstock/bikeriderlondon; p138(b): Alamy/redbrickstock. com; p138(c): Alamy/CTK; p138(d): Shutterstock/Maxim Blinkov; p138(e): Alamy/Bubbles Photo Library; p138(f): Shutterstock/ homydesign; p138(g): Shutterstock/Val Thoermer; p138(h): Corbis/Billy Hustace; p138(i): Shutterstock/katatonia 82; p138(j): Corbis/Aflo; p138(k): Shutterstock/Jakub Cejpek; p138(l): Alamy/ Eileen Langstey Gymnastics; p138(m): Shutterstock/ Khoroshunova Olga; p138(n): Shutterstock/lightpoet; p138(o): Shutterstock/Daniela Sachsenheimer; p166(T): Sven Hagolan/ Corbis; p166 (R): Emma Innocenti/Corbis; p166 (L): Anna Bryukhanova/Getty Images; p168 (Bckgr): Phuong D. Nguyen/ Shutterstock; p168 (L): one-image photography/Alamy; p168 (R): Phuong D. Nguyen/Shutterstock; p170 (TR): British Retail Photography/Alamy; p. 170 (BR): Shopping Mall/Alamy; p170 (BL): Don Tonge/Alamy; p170 (TL): CandyBox Images/ Shutterstock; p172 (TL): Monkey Business Images/Shutterstock; p172 (R) ACE STOCK LIMITED/Alamy; p172 (BL): CI2/Alamy; p174 (TL): Westend61/Getty Images; p174 (TR): Goodluz/ Shutterstock; p176: David Shopper/Corbis; p178 (L): MBI/Alamy; p. 178 (R): Stockbroker/Alamy; p180 (TL): Studio ThreeDots/ Getty Images; p180 (R): David J. Green – Lifestyle/Alamy; p180 (BL): blvdone/Shutterstock; p182 (L): Wavebreak Media Ltd./ Corbis; p82 (C): Juice Images/Alamy; p182 (R): Robert Niedring/ Corbis; p. 184 (L) (male): Zurijeta/Shutterstock; p184 (L) (hanger): Kzww/Shutterstock; p184 (L) (background): Antonio-I / Shutterstock; p184 (R) allesalltag/Alamay; p186: Cultura Creative (RF)/Alamy; p188 (L): Kichigin/Shutterstock; p188 (R): Cultura RM/Alamy; p188 (B): Tetra Images/Corbis; p190: Richard Levine/ Alamy; p191: Tim Pannell/Corbis; p194: Pavel Ilyukhin/ Shutterstock.
Commissioned photography by Gareth Boden: pp31(TL,TC,TR), 32(CL,CR,BL,BR), 35, 64.
We are grateful to Grand Arcade, Cambridge and Stephen Perse Senior School, Cambridge for their help with the commissioned photography.
The following stills were taken on commission by Rob Maidment and Sharp Focus Productions for Cambridge University Press: pp12, 13, 22, 23, 32(T), 33, 42, 43, 52(T,B), 62, 63, 72, 82, 83, 92, 93, 102, 103, 113(T), 122, 123
Front cover photograph Shutterstock/zhu difeng.
Cover design: Chefer
The publishers would like to thank the following illustrators: Mark Bird; Mark Duffin; Sean KJA; Jo Goodberry; Dusan Lakicevic; Carrie May; Jerome Mireault; Roger Penwill; Gavin Reece; Gregory Roberts; Martin Sanders; Sean Sims; Marie-Eve Tremblay; Antonio Cuesta Cornejo (English for Spanish Speakers)
Video: Click here
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge ESOL and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Third Edition, 2008 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p.5: Getty Images/4FR; p.6(B): Alamy/OJO Images Ltd; p.6(T): Shutterstock/StockLite; p.7(B): Alamy/Gaertner; p.7(T): Shutterstock/Kkulikov; p.8: Shutterstock/Baranq; p.9: Shutterstock/Lucky Business; p.10(TL): Getty Images/Holly Harris; p.10(TR): Shutterstock/Kodentseva; p.11(B): Getty Images/Adrian Dennis; p.11(T): Alamy/Prisma Bildagentur AG; p.13(B): Shutterstock/Martin Froyda; p.13(T): Alamy/SFL Travel; p.14: Shutterstock/Dolomite-Summits; p.15: Shutterstock/Adrian Reynolds; p.16: Shutterstock/Monkey Business Images; p.17(BC): Alamy/Incamerastock; p.17(BL): Shutterstock/Sergey Mironov; p.17(BR): Alamy/Paul Rapson; p.18(B): Shutterstock/VannPhotography; p.18(T): Shutterstock/Dmitry Kalinovsky; p.20: Shutterstock/Artem_Ka; p.21: Shutterstock/Maxim Blinkov; p.22(1): Shutterstock/Sagir; p.22(2): Shutterstock/PhotoBlink; p.22(3): Thinkstock/Thomas Northcut; p.22(4): iStockphoto/Gsermek; p.22(5): Shutterstock/Elnur; p.22(6): iStockphoto/PeJo29; p.22(7): Shutterstock/Petar Djordjevic; p.22(8): Thinkstock/Olga Sapegina; p.22(9): Shutterstock/Ivaschenko Roman; p.22(10): Shutterstock/Jacek Bieniek; p.22(11): Shutterstock/Coprid; p.22(12): Shutterstock/Bernashafo; p.22(TR): Shutterstock/Auremar; p.23: Alamy/Andrew Rubtsov; p.24: Shutterstock/Blvdone; p.25(B): Alamy/Jiri Hubatka; p.25(T): Alamy/Kzenon; p.26: Shutterstock/Radu Razvan; p.27: Shutterstock/Viacheslav Lopatin; p.29(1): Shutterstock/Andreas G Karelias; p.29(2): Alamy/Peter Titmuss; p.29(3): Alamy/AberCPC; p.29(4): Shutterstock/Monkey Business Images; p.29(5): Thinkstock/Slavenko Vukasovi; p.29(6): Shutterstock/Chad McDermott; p.29(7): Shutterstock/Faraways; p.29(8): Alamy/Geraint Lewis; p.29(9): Alamy/Zoonar GmbH; p.29(10): Alamy/David J Green - Lifestyle themes; p.29(11): Shutterstock/Dmitry Kalinovsky; p.29(12): Corbis/Ocean; p.29(B): Shutterstock/Monkey Business Images; p.31(B): Shutterstock/Dotshock; p.31(T): Alamy/James Osmond Photography; p.33: Shutterstock/Edhar; p.34: Shutterstock/Stockkete; p.36: Alamy/Tetra Images; p.37(B): Shutterstock/Kzenon; p.37(T): Thinkstock/Shironosov; p.38: Shutterstock/Tyler Olson; p.39: Shutterstock/Alexander Raths; p.40: Shutterstock/Pisaphotography; p.41(BL): Shutterstock/Tyler Olson; p.41(R): Shutterstock/Dejan Ristovski; p.42: Shutterstock/Image Point Fr; p.43(BL): Shutterstock/Stockyimages; p.43(BR): Shutterstock/Monkey Business Images; p.44: Shutterstock/Kuco; p.46(1): Alamy/Jeffrey Blackler; p.46(2): Alamy/CBW; p.46(3): Shutterstock/Ferenc Szelepcsenyi; p.46(4): Shutterstock/Regien Paassen; p.46(5): Alamy/Ben Molyneux; p.46(6): Rex Features/Image Source; p.46(7): Magnum Photos/Steve McCurry; p.46(8): Rex Features/Snap; p.46(9): Superstock/Exotica im/Exotica; p.46(10): Alamy/AF Archive; p.46(R): Shutterstock/Curioso; p.48: Shutterstock/Peter Bernik; p.49(L): Corbis/Reuters/Toby Melville; p.49(R): Alamy/Pictorial Press Ltd; p.50: Shutterstock/Steve Buckley; p.53(B): Alamy/Asia Images Group Pte Ltd/AsiaPix; p.53(T): Alamy/Photo Alto; p.54(B): Shutterstock/Syda Productions; p.54(T): Shutterstock/Syda Productions; p.55(B): Getty Images/David Young-Wolff; p.55(T): Alamy/Robert Fried; p.56: Shutterstock/Rawpixel; p.57: Shutterstock/Adam Gregor; p.59: Getty Images/Hill Street Studios; p.60(B): Shutterstock/Kamil Macniak; p.60(T): Getty Images/Stockbyte; p.61(B): Alamy/Werner Dieterich; p.61(T): Alamy/Olga Volodina; p.62: Shutterstock/nenetus; p.63: Shutterstock/Andrey_Popov; p.64(B): Getty Images/Andy Ryan; p.64(T): Alamy/Famoso; p.65: Alamy/Gianni Muratore; p.66: Alamy/Image Source Plus; p.67(B): Shutterstock/Georgejmclittle; p.67(C): Getty Images/Lyle Leduc; p.67(T): Alamy/Niels Poulsen Mus; p.68: Shutterstock/Dr. Morley Read; p.70(L): Shutterstock/Prapass; p.70(R): Shutterstock/TonyV3112; p.71: Alamy/Blend Images/Dave/Les Jacobs; p.72(B): Shutterstock/Johnny Lye; p.72(TL): Shutterstock/Lucky Business; p.72(TR): Shutterstock/Vipflash; p.73: Getty Images/Eoin Clarke; p.74: Shutterstock/Guidenop; p.75: Shutterstock/NigelSpiers.
Commissioned photography by Gareth Boden: p.19.
Video stills by Rob Maidment and Sharp Focus Productions: p.3, p.12(B), p.12(T), p.30, p.76, p.78, p.81.
Illustrations by Mark Bird p.58; Javier Joaquin p.32; Dusan Lakicevic p.10; Gavin Reece p.4, 34, 35; Sean Sims p.28; Ben Swift p.45, 69
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Catriona Mcdermid: writer (Teacher's notes); Hilary Plass: writer (Grammar Plus); Louise Davoren: editor; Charlotte Johnson: editor; Penny Nicholson: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: Antonio Cuesta Cornejo (English for Spanish Speakers); Javier Joaquin, Dusan Lakicevic, Sean (KJA), Victoria Woodgate
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom
Lessons A&B p9(TL): Thinkstock/istockphoto; Lessons A&B p9(TR): Science Photo Library/Dan Dunkley; Lessons A&B p9(CL): Corbis/Image Source; Lessons A&B p9(CR): Corbis/Erik Isakson/Tetra Images; Lessons A&B p9(B): Shutterstock/Lurin; Lesson C p10: Rob Maidment and Sharp Focus Productions for Cambridge University Press; Lesson D p11:Alamy/Images-USA; p174 (TL): Westend61/Getty Images; p174 (TR): Goodluz/Shutterstock; p234(flat shoes): Shutterstock/bemashato; p234(track suit): Shutterstock/Peter Djordjevic; p234(jersey top): istockphoto/gsermek; p234 (tie): Shutterstock/PhotoBlink; p234(high heel shoes): Shutterstock/Jacek Bieniek; p234(earrings): Shutterstock/Elnur; p234(scarf): Alamy/Oliver Leedham; p234(sandals): Shutterstock/Ivaschenko Roman; p234(bracelet): Shutterstock/Coprid; p234(gloves): Shutterstock/Sagir; p234(sweatshirt): Thinkstock/Photodisc; p234(boots): Alamy/Finnbarr Webster; p234(belt): Alamy/D Hurst; p234(necklace): Alamy/The National History Museum; p234(socks): Alamy/Nikreates; p234(handbag): Alamy/Geoffrey Kidd; p234(shorts): Alamy/Mouse in the house; p234(raincoat): Alamy/Creative Control; p234(trainers): Alamy/Brian Jackson; p234(jumper): Alamy/Hugh Threlfall; p241(T): Alamy/Catchlight Visual Services; p241(B): Alamy/Cliff Hide Stock; p242: Alamy/John Kellerman; p243(1): Shutterstock/bikeriderlondon. p243(2): Alamy/redbrickstock.com; p243(3): Alamy/CTK; p243(4): Shutterstock/Maxim Blinkov; p243(5): Alamy/Bubbles Photo Library; p243(6): Shutterstock/homydesign; p243(7): Shutterstock/Val Thoermer; p243(8): Corbis/Billy Hustace; p243(9): Shutterstock/katatonia 82; p243(10): Corbis/Aflo; p243(11): Shutterstock/Jakub Cejpek; p243(12): Alamy/Eileen Langstey Gymnastics; p243(13): Shutterstock/Khoroshunova Olga; p243(14): Shutterstock/lightpoet; p243(15): Shutterstock/Daniela Sachsenheimer; p287(L): Shutterstock/prapass; p287(R): Shutterstock/andamanec.
Front cover photograph: Shutterstock/zhu difeng.
Cover design: Chefer
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© Cambridge University Press 2016
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2016
Digital Empower B1 DVD-ROM: 9788490366660
Digital Empower B1 Online: 9788490362747
Information and additional resources for this title at www.cambridge.es/empower
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter.
Authors
Student's Book: Adrian Doff, Craig Thaine, Herbert Puchta, Jeff Stranks, Peter Lewis-Jones with Graham Burton
Workbook: Peter Anderson
Teacher's Book: Lynda Edwards with Ruth Gairns, Stuart Redman, Wayne Rimmer, Helen Ward and Julian Oakley
Student's Book Acknowledgements
The publishers would like to thank the following teachers and ELT professionals for the invaluable feedback they provided during the development of the B1 Student's book: Andre Alipio, Brazil; Peggy Altpekin, Turkey/Gulf; Kate Chomacki,UK; Leonor Corradi, Argentina; Sandra Aliotti, Argentina; Ludmila Gorodetskaya, Russia; Ralph Grayson, Peru; Ludmila Kozhevnikova, Russia; Catherine Morley, Spain; Antonio Mota Cosano, Spain; Julian Oakley, UK; Litany Pires Ribeiro, Brazil; Elena Pro, Spain; Michael Ward, UK
The publishers are grateful to the following contributors: Catherine Smith: writer (Speaking Plus); Julie Moore: writer (Get it right!); Louise Davoren: editor (English for Spanish Speakers); Charlotte Johnson: editor (English for Spanish Speakers); Gareth Boden: commissioned photography; Leon Chambers, Theo Jaskolkowski (English for Spanish Speakers) and Robert Campbell (English for Spanish Speakers): audio recordings; Hilary Luckcock and Paloma Bermejo (English for Spanish Speakers): picture research, commissioned photography; Rob Maidment and Sharp Focus Productions: video recordings; Lanchuela: design and typesetting (English for Spanish Speakers)
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material: p. 18 Book cover of 'Yes Man'(Eallace,D), Artwork © Two Associates Published by arrangement with The Random House Group Limited; p. 21 adapted from 'Passengers on broken-down National Express coach get out and push it to bus depot' Daily Mail; pp. 28-29 adapted from 'Have you ever stopped to help a stranger or been helped by a stranger?'(Webb,G) 24/10/2012 with kind permission from Gretchen Webb; p .34(Oxfam Logo) reproduced with the permission of Oxfam GB, Oxfam House, John Smith Drive, Cowley, Oxford OX4 2JY, UK www.oxfam.org.uk. Oxfam GB does not necessarily endorse any text or activities that accompany the materials; p .34 (Greenpeace Logo) with permission from Greenpeace; pp .48-49 (2b-d) adapted from 'City & Guilds' with permission, The City and Guilds of London Institute accepts no liability for the contents of this book; pp. 60-61 adapted from 'Experience: Sharks saved my life'(Spence,C) 26/09/2009, The Guardian, © Guardian News & Media Ltd 2009; p. 68 (1) from 'Oprah Interviews - Nelson Mandela' with permission from the Nelson Mandela Foundation; p. 68 (2) from 'Brad Pit: A life so large' (Junod,T) 20/05/2013, Esquire with permission from Esquire; p. 68 (3), from 'Interview: Jane Goodall on the Future of Plants and Chimps'(Stromberg,J) 21/02/2013, Smithsonian Magazine with permission from Smithsonian; p. 69 (4), from Beyonce interview: 'Motherhood has changed everything' (Manelis,M/Marriner,N) New Zealand Herald with permission from the New Zealand Herald; p. 69 (5) from 'Rupert Grint: I'm kind of excited The actor talks about life after Harry Potter' (Barkham,P) The Guardian, Originally published in The Guardian. Reproduced with the consent of Guardian News & Media Ltd; p. 69(6) from 'Seoul Singer' (Wayne,G) Condé Nast, all rights reserved; p. 84 Book cover of 'Cambridge English Readers Level 3: A Puzzle for Logan'(MacAndrew,R),© Cambridge University Press, reproduced with permission, photograph by Paul Gardiner, courtesy of Film Edinburgh (formerly Edinburgh Film Focus); p. 84 Book cover of 'Cambridge English Readers Level 3: Eye of the Storm' (Loader,M),© Cambridge University Press; p. 85 Book cover of 'Cambridge English Readers Level 3: Two Lives' (Naylor,H),© Cambridge University Press; p. 90 adapted from 'Michael Phelps turns tables on childhood bullies'(Forde,P) 27/07/2012,Yahoo Sports, with permission from Patrick Forde; p. 91 adapted from 'Peter Jackson biography' www.biography.com/people/peterjackson-37009; p. 91 adapted from 'Interview With Benicio Del Toro' (FeatsPress) Feats Press Agency with permission.
Key: L = left, C = centre, R = right, T = top, B = bottom
p7: Panos/Piotr Malecki; p8: Shutterstock/Yayayoyo; p9(T): Shutterstock/Yayayoyo; p9(B): Shutterstock/Yayayoyo; p10(TL): Shutterstock/Charlotte Purdy; p10(TR): Shutterstock/Travis Manley; p10(BL): Shutterstock/Ilaszio; p10(BR): Shutterstock/ beboy; pp14/15(background): Alamy/Randolph Images; p14(T): Thinkstock/Stockbyte; p14(B): Alamy/Tetra Images; p15: Blend Images/Jon Feingersh; p17: Magnum Photos/Ian Berry; p18(T) (inset): pp18(T)/19(L): Shutterstock/Kodentseva; pp18/19(B): Alamy/Shirley Kilpatrick; p19(R): Corbis/Christine Pemberton/ LatitudeSt; p20(T): Getty/AFP; p20(C): Alamy/Sergio Azenha; p20(B): Thinkstock/Fuse; p21: Albanpix.com; p24(T): Corbis/ SUPRI/Reuters; p24(CL): Shutterstock/Dimos; p24(CR): Getty/ AFP; p24(BL): Shutterstock/Ziye; p24(BR): Shutterstock/Matek Hudovernik; p25: Alamy/Jack Malipan Travel Photography; p27: Getty/ArabianEye; p28: Alamy/Jim West; p29: KindnessTrust; p30(T): Shutterstock/Sergey Mironov; p30(BL): Alamy/ incamerastock; 30(BR): Alamy/Paul Rapson; p31(BR): Shutterstock/Sergey Mironov; p34(T)(inset): Oxfam; p34(T): Oxfam/Abbie Trayler-Smith; p34(C)(inset): National Trust; p34(C): Rex/Sefton Samuels; p34(B)(inset): Greenpeace; p34(B): Greenpeace/Markus Mauthe; p37: Panos/Andrea Gjestvang; p38(L): Rex /Geoffrey Robinson; p38(R): Simon Lamb; p39(TL): Shutterstock/Bui Viet Hung; p39(TR): Corbis/Issei Kato/Reuters; p39(BL): South American Pictures/Tony Morrison; p39(BR): Alamy/Ian Shaw; p40: Shutterstock/Neale Cousland; p41(TL): Getty/Bloomberg; p41(TC): Superstock/JTB Photo; p41(TR): Shutterstock/Perati Komson; p41(BL): Thinkstock/istockphoto; p41(BR): Alamy/Paul Brown; pp44/45(B): Alamy/Jiri Hubatka; p44(TL): Getty/nullplus; p44(TR): Getty/Jake Curtis; p44(BL): Superstock/Fancy Collection; p44(BR): Corbis/Image Source; p47: Corbis/Louie Psihoyos; p49(TL): Thinkstock/istockphoto; p49(TR): Science Photo Library/Dan Dunkley; p49(CL): Corbis/ Image Source; p49(CR): Corbis/Erik Isakson/Tetra Images; p49(B): Shutterstock/Lurin; p50(L): Shutterstock/arek_malang; p50(C): Shutterstock/Monkey Business Images; p50(R): Shutterstock/arek_malang; p51(a): Shutterstock/Dmitry Kalinovsky; p51(b): Shutterstock/Andreas G Karelias; p51(c): Alamy/Peter Titmuss; p51(d): Alamy/aber CPC; p51(e): Alamy/ David J Green - Lifestyle themes; p55: Alamy/Images-USA; p57: Alamy/IML Image Group Ltd; p58(TL): Shutterstock/gpointstudio; p58(TR): Corbis/Dinuka Liyanawatte/Reuters; p58(UCL): Shutterstock/stockkete; p58(UCR): Alamy/Janine Wiedel Photo Library; p58(LCL): Thinkstock/shironosov; p58(LCR): Getty/Chris Fertnig; p58(BL): Alamy/Lev Dolgachov; p58(BR): Shutterstock/ Marcin Balcerzak; p60(L): Guardian News & Media Ltd/Joel Redman; p60(e): Shutterstock/Rich Carey; p60(f): Shutterstock/ Rich Carey; p60/61: Shutterstock/Rich Carey; p61(T): Rex/ Cultura; p61(BL): Shutterstock/f9 Photos; p61(BR): Shutterstock/ Rich Carey; p64(TL): Shutterstock/Nadino; p64(CR): Thinkstock/ Hemera Technologies; p64(TR): Thinkstock/istockphoto; p67: Corbis/Barry Lewis/In Pictures; p68(T): Getty/GC Images; p68(C): Corbis/Ulli Michel/Reuters; p68(B): Corbis/Kennan Ward; p69(TL): Getty/Robyn Beck/AFP; p69(TC): Rex/E Charbonneau/ BEI; p69(TR): Corbis/Reuters/Tim Wimborne; p69(CL): Getty/ Latin Content; p69(BL): Rex/Gregory Pace/BEI; p70(TL): Corbis/ Bettmann; p70(TC): Corbis/Bettmann; p70(TR): Corbis/H Armstrong Roberts/ClassicStock; p70(BR): Getty/George Marks; p71(T): Corbis/BBC; p71(B): Corbis/Kirn Vintage Stock; p74(TL): Shutterstock/eurobanks; p74(TC): Thinkstock/Blend Images; p74(TR): Shutterstock/Chubykin Arkady; p74(B): Shutterstock/ MSPhotographic; p75: Shutterstock/MSPhotographic; p77: Corbis/Picture Hooked/LOOP Images; p78(1): Magnum Photos/ Steve McCurry; p78(2): Alamy/CBW; p78(3): Lebrecht Music & Arts; p78(4): Superstock/Exotica im/Exotica; p79(5): Shutterstock/Regien Paassen; p79(6): Alamy/Jeffrey Blackler; p79(7): Rex/Image Source; p79(8): Alamy/Ben Molyneux; p79(9): Rex/SNAP; p79(10); Alamy/A F Archive; p80(T): Corbis/ Andrew Mills/Star Ledger; p80(C): Rex/DPPI; p80(B): Corbis/ Bettmann; p81(TR): Alamy/redbrickstock.com; p81(BL): Shutterstock/Val Thoermer; p81(BC): Shutterstock/lightpoet; p81(BR): Shutterstock/Maxim Blinkov; p84(all): CUP: p85(T): Shutterstock/Felix Mizioznikov; p85(TC): Shutterstock/Felix Mizioznikov; p85(BC): Shutterstock/aastock; p85(B): Shutterstock/Jomar Aplaon; p87: Corbis/Thomas Mukoya/Reuters; p90(T): Rex/Everett Collection; p90(C): Rex/Sipa USA; p90(B): Rex/Villard/SIPA; p91(T): Rex/Jonathan Hordle; p91(C): Rex/Startraks Photo; p91(B): Rex/Picture Perfect; p94: Corbis/ Plush Studios/Bill Reitzel/Blend Images; p95: Getty/quavondo; p97: Getty/Cultura/Joseph Giacomin; p104(L): Corbis/Axel Dupeux; p104(C): Corbis/Peter Dressel/Blend Images; pp104(R)/105(L): Getty/Hans Neleman; p107: Science Photo Library/Peter Menzel; p108(TL): Alamy/Vicky Beaver; p108(TR): Caroline Eastwood; p108(UCL): Ronald Grant Archive/Universal; p108(LCL): Kobal/Marvel/Paramount; p108(CR): Kobal/Amblin/ Dreamworks/Paramount; p108(BR): Ronald Grant Archive/ Dreamworks SKG/Amblin/c20th Fox; p109(TL): Alamy/ A F Archive; p109(TR): Kobal/Amblin/Universal; p109(BL): Rex/c. W. Disney/Everett; p109(bird smoke detector): The Initiator & Company, Netherlands; p109(grass charging station): Kikkerland Products; p109(induction hob): Supplied by Stellar; p110(TL): Shutterstock/anders photo; p110(TC): Shutterstock/©by Paul; p110(TR): Shutterstock/Neale Cousland; p110(BL): Getty/SSPL; 110(BR): Getty/AFP; p111: Lee Grismer; p112(Nissan logo): Alamy/Peter Probst; p112(Toyota logo): Toyota; p112(Honda logo): Alamy/Peter Probst; p112(Suzuki logo): Alamy/PSL Images; p117: FLPA/Suzi Eszterhas/Minden Pictures; p118(1): Shutterstock/Evgeniy Ayupov; p118(2): Shutterstock/J D Carballo; p118(3): Shutterstock/prapass; p118(4): Shutterstock/Henrik Larsson; p118(5): Shutterstock/andamanec; p118(B): Shutterstock/andamanec; p119(6): Shutterstock/Eric Isselee; p119(7): Shutterstock/Eric Isselee; p119(8): Shutterstock/ idreamphoto; p127(lips telephone): Alamy/Paul Springett 03; p127(spice rack): Alamy/PhotoSlinger; p127(football mug): Alamy/Lenscap; p127(candles): Alamy/Mouse in the House; p127(clock): Alamy/James Jackson; p127(slippers): Alamy/ Andrew Twort; p128: Albanpix.com; p130(L)(lips telephone): Alamy/Paul Springett 03; p130(L)(spice rack): Alamy/ PhotoSlinger; p130(L)(football mug): Alamy/Lenscap; p130(L) (candles): Alamy/Mouse in the House; p130(L)(clock): Alamy/ James Jackson; p130(L)(slippers): Alamy/Andrew Twort; p130(R): Alamy/Lev Dolgachov; p132: Alamy/Lev Dolgachov; p135(1): Shutterstock/PhotoBlink; p135(2): Shutterstock/Coprid; p135(3): Shutterstock/Jacek Bieniek; p135(4): Shutterstock/ Peter Djordjevic; p135(5): Thinkstock/istockphoto; p135(6): Thinkstock/Photodisc; p135(7): istockphoto/gsermek; p135(8): Shutterstock/Sagir; p135(9): istockphoto/PeJo29; p135(10): Shutterstock/Elnur; p135(11): Shutterstock/Ivaschenko Roman; p135(12): Shutterstock/bemashato; p136(T)(a): Corbis/Blend; p136(T)(b): Shutterstock/Lurin; p136(T)(c): Corbis/Rubberball; p136(T)(d): Masterfile/Chad Johnston; p136(T)(e): Science Photo Library/Dan Dunkley; p136(T)(f): Thinkstock/Elena Elisseeva; p136(T)(g): Corbis/Image Source; p136(T)(h): Corbis/ Cardinal; p136(T)(i): Thinkstock/istockphoto; p136(B)(a): Shutterstock/Faraways; p136(B)(b): Alamy/Peter Titmuss; p136(B)(c): Corbis/ocean; p136(B)(d): Alamy/aber CPC; p136(B) (e): Shutterstock/Andreas G Karelias; p136(B)(f): Shutterstock/ Dmitry Kalinovsky; p136(B)(g): Shutterstock/Chad McDermott; p136(B)(h): Shutterstock/Monkey Business Images; p136(B)(i): Alamy/Geraint Lewis; p136(B)(j): Thinkstock/istockphoto; p136(B)(k): Alamy/David J Green - Lifestyle themes; p138(a): Shutterstock/bikeriderlondon; p138(b): Alamy/redbrickstock. com; p138(c): Alamy/CTK; p138(d): Shutterstock/Maxim Blinkov; p138(e): Alamy/Bubbles Photo Library; p138(f): Shutterstock/ homydesign; p138(g): Shutterstock/Val Thoermer; p138(h): Corbis/Billy Hustace; p138(i): Shutterstock/katatonia 82; p138(j): Corbis/Aflo; p138(k): Shutterstock/Jakub Cejpek; p138(l): Alamy/ Eileen Langstey Gymnastics; p138(m): Shutterstock/ Khoroshunova Olga; p138(n): Shutterstock/lightpoet; p138(o): Shutterstock/Daniela Sachsenheimer; p166(T): Sven Hagolan/ Corbis; p166 (R): Emma Innocenti/Corbis; p166 (L): Anna Bryukhanova/Getty Images; p168 (Bckgr): Phuong D. Nguyen/ Shutterstock; p168 (L): one-image photography/Alamy; p168 (R): Phuong D. Nguyen/Shutterstock; p170 (TR): British Retail Photography/Alamy; p. 170 (BR): Shopping Mall/Alamy; p170 (BL): Don Tonge/Alamy; p170 (TL): CandyBox Images/ Shutterstock; p172 (TL): Monkey Business Images/Shutterstock; p172 (R) ACE STOCK LIMITED/Alamy; p172 (BL): CI2/Alamy; p174 (TL): Westend61/Getty Images; p174 (TR): Goodluz/ Shutterstock; p176: David Shopper/Corbis; p178 (L): MBI/Alamy; p. 178 (R): Stockbroker/Alamy; p180 (TL): Studio ThreeDots/ Getty Images; p180 (R): David J. Green – Lifestyle/Alamy; p180 (BL): blvdone/Shutterstock; p182 (L): Wavebreak Media Ltd./ Corbis; p82 (C): Juice Images/Alamy; p182 (R): Robert Niedring/ Corbis; p. 184 (L) (male): Zurijeta/Shutterstock; p184 (L) (hanger): Kzww/Shutterstock; p184 (L) (background): Antonio-I / Shutterstock; p184 (R) allesalltag/Alamay; p186: Cultura Creative (RF)/Alamy; p188 (L): Kichigin/Shutterstock; p188 (R): Cultura RM/Alamy; p188 (B): Tetra Images/Corbis; p190: Richard Levine/ Alamy; p191: Tim Pannell/Corbis; p194: Pavel Ilyukhin/ Shutterstock.
Commissioned photography by Gareth Boden: pp31(TL,TC,TR), 32(CL,CR,BL,BR), 35, 64.
We are grateful to Grand Arcade, Cambridge and Stephen Perse Senior School, Cambridge for their help with the commissioned photography.
The following stills were taken on commission by Rob Maidment and Sharp Focus Productions for Cambridge University Press: pp12, 13, 22, 23, 32(T), 33, 42, 43, 52(T,B), 62, 63, 72, 82, 83, 92, 93, 102, 103, 113(T), 122, 123
Front cover photograph Shutterstock/zhu difeng.
Cover design: Chefer
The publishers would like to thank the following illustrators: Mark Bird; Mark Duffin; Sean KJA; Jo Goodberry; Dusan Lakicevic; Carrie May; Jerome Mireault; Roger Penwill; Gavin Reece; Gregory Roberts; Martin Sanders; Sean Sims; Marie-Eve Tremblay; Antonio Cuesta Cornejo (English for Spanish Speakers)
Video: Click here
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by the English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge ESOL and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Third Edition, 2008 reproduced with permission.
Workbook Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: L = left, C = centre, R = right, T = top, B = bottom
p.5: Getty Images/4FR; p.6(B): Alamy/OJO Images Ltd; p.6(T): Shutterstock/StockLite; p.7(B): Alamy/Gaertner; p.7(T): Shutterstock/Kkulikov; p.8: Shutterstock/Baranq; p.9: Shutterstock/Lucky Business; p.10(TL): Getty Images/Holly Harris; p.10(TR): Shutterstock/Kodentseva; p.11(B): Getty Images/Adrian Dennis; p.11(T): Alamy/Prisma Bildagentur AG; p.13(B): Shutterstock/Martin Froyda; p.13(T): Alamy/SFL Travel; p.14: Shutterstock/Dolomite-Summits; p.15: Shutterstock/Adrian Reynolds; p.16: Shutterstock/Monkey Business Images; p.17(BC): Alamy/Incamerastock; p.17(BL): Shutterstock/Sergey Mironov; p.17(BR): Alamy/Paul Rapson; p.18(B): Shutterstock/VannPhotography; p.18(T): Shutterstock/Dmitry Kalinovsky; p.20: Shutterstock/Artem_Ka; p.21: Shutterstock/Maxim Blinkov; p.22(1): Shutterstock/Sagir; p.22(2): Shutterstock/PhotoBlink; p.22(3): Thinkstock/Thomas Northcut; p.22(4): iStockphoto/Gsermek; p.22(5): Shutterstock/Elnur; p.22(6): iStockphoto/PeJo29; p.22(7): Shutterstock/Petar Djordjevic; p.22(8): Thinkstock/Olga Sapegina; p.22(9): Shutterstock/Ivaschenko Roman; p.22(10): Shutterstock/Jacek Bieniek; p.22(11): Shutterstock/Coprid; p.22(12): Shutterstock/Bernashafo; p.22(TR): Shutterstock/Auremar; p.23: Alamy/Andrew Rubtsov; p.24: Shutterstock/Blvdone; p.25(B): Alamy/Jiri Hubatka; p.25(T): Alamy/Kzenon; p.26: Shutterstock/Radu Razvan; p.27: Shutterstock/Viacheslav Lopatin; p.29(1): Shutterstock/Andreas G Karelias; p.29(2): Alamy/Peter Titmuss; p.29(3): Alamy/AberCPC; p.29(4): Shutterstock/Monkey Business Images; p.29(5): Thinkstock/Slavenko Vukasovi; p.29(6): Shutterstock/Chad McDermott; p.29(7): Shutterstock/Faraways; p.29(8): Alamy/Geraint Lewis; p.29(9): Alamy/Zoonar GmbH; p.29(10): Alamy/David J Green - Lifestyle themes; p.29(11): Shutterstock/Dmitry Kalinovsky; p.29(12): Corbis/Ocean; p.29(B): Shutterstock/Monkey Business Images; p.31(B): Shutterstock/Dotshock; p.31(T): Alamy/James Osmond Photography; p.33: Shutterstock/Edhar; p.34: Shutterstock/Stockkete; p.36: Alamy/Tetra Images; p.37(B): Shutterstock/Kzenon; p.37(T): Thinkstock/Shironosov; p.38: Shutterstock/Tyler Olson; p.39: Shutterstock/Alexander Raths; p.40: Shutterstock/Pisaphotography; p.41(BL): Shutterstock/Tyler Olson; p.41(R): Shutterstock/Dejan Ristovski; p.42: Shutterstock/Image Point Fr; p.43(BL): Shutterstock/Stockyimages; p.43(BR): Shutterstock/Monkey Business Images; p.44: Shutterstock/Kuco; p.46(1): Alamy/Jeffrey Blackler; p.46(2): Alamy/CBW; p.46(3): Shutterstock/Ferenc Szelepcsenyi; p.46(4): Shutterstock/Regien Paassen; p.46(5): Alamy/Ben Molyneux; p.46(6): Rex Features/Image Source; p.46(7): Magnum Photos/Steve McCurry; p.46(8): Rex Features/Snap; p.46(9): Superstock/Exotica im/Exotica; p.46(10): Alamy/AF Archive; p.46(R): Shutterstock/Curioso; p.48: Shutterstock/Peter Bernik; p.49(L): Corbis/Reuters/Toby Melville; p.49(R): Alamy/Pictorial Press Ltd; p.50: Shutterstock/Steve Buckley; p.53(B): Alamy/Asia Images Group Pte Ltd/AsiaPix; p.53(T): Alamy/Photo Alto; p.54(B): Shutterstock/Syda Productions; p.54(T): Shutterstock/Syda Productions; p.55(B): Getty Images/David Young-Wolff; p.55(T): Alamy/Robert Fried; p.56: Shutterstock/Rawpixel; p.57: Shutterstock/Adam Gregor; p.59: Getty Images/Hill Street Studios; p.60(B): Shutterstock/Kamil Macniak; p.60(T): Getty Images/Stockbyte; p.61(B): Alamy/Werner Dieterich; p.61(T): Alamy/Olga Volodina; p.62: Shutterstock/nenetus; p.63: Shutterstock/Andrey_Popov; p.64(B): Getty Images/Andy Ryan; p.64(T): Alamy/Famoso; p.65: Alamy/Gianni Muratore; p.66: Alamy/Image Source Plus; p.67(B): Shutterstock/Georgejmclittle; p.67(C): Getty Images/Lyle Leduc; p.67(T): Alamy/Niels Poulsen Mus; p.68: Shutterstock/Dr. Morley Read; p.70(L): Shutterstock/Prapass; p.70(R): Shutterstock/TonyV3112; p.71: Alamy/Blend Images/Dave/Les Jacobs; p.72(B): Shutterstock/Johnny Lye; p.72(TL): Shutterstock/Lucky Business; p.72(TR): Shutterstock/Vipflash; p.73: Getty Images/Eoin Clarke; p.74: Shutterstock/Guidenop; p.75: Shutterstock/NigelSpiers.
Commissioned photography by Gareth Boden: p.19.
Video stills by Rob Maidment and Sharp Focus Productions: p.3, p.12(B), p.12(T), p.30, p.76, p.78, p.81.
Illustrations by Mark Bird p.58; Javier Joaquin p.32; Dusan Lakicevic p.10; Gavin Reece p.4, 34, 35; Sean Sims p.28; Ben Swift p.45, 69
Teacher's Book Acknowledgements
The publishers would like to thank the following contributors to the English for Spanish Speakers edition: Catriona Mcdermid: writer (Teacher's notes); Hilary Plass: writer (Grammar Plus); Louise Davoren: editor; Charlotte Johnson: editor; Penny Nicholson: editor; Lanchuela: design and typesetting
The publishers would like to thank the following illustrators: Antonio Cuesta Cornejo (English for Spanish Speakers); Javier Joaquin, Dusan Lakicevic, Sean (KJA), Victoria Woodgate
Corpus Development of this publication has made use of the Cambridge English Corpus (CEC). The CEC is a computer database of contemporary spoken and written English, which currently stands at over one billion words. It includes British English, American English and other varieties of English. It also includes the Cambridge Learner Corpus, developed in collaboration with the University of Cambridge ESOL Examinations. Cambridge University Press has built up the CEC to provide evidence about language use that helps to produce better language teaching materials.
English Profile This product is informed by English Vocabulary Profile, built as part of English Profile, a collaborative programme designed to enhance the learning, teaching and assessment of English worldwide. Its main funding partners are Cambridge University Press and Cambridge English Language Assessment and its aim is to create a 'profile' for English linked to the Common European Framework of Reference for Languages (CEFR). English Profile outcomes, such as the English Vocabulary Profile, will provide detailed information about the language that learners can be expected to demonstrate at each CEFR level, offering a clear benchmark for learners' proficiency. For more information, please visit www.englishprofile.org
CALD The Cambridge Advanced Learner's Dictionary is the world's most widely used dictionary for learners of English. Including all the words and phrases that learners are likely to come across, it also has easy-to-understand definitions and example sentences to show how the word is used in context. The Cambridge Advanced Learner's Dictionary is available online at dictionary.cambridge.org. © Cambridge University Press, Fourth Edition, 2013 reproduced with permission.
Photo acknowledgements: The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting.
The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.
The publishers are grateful to the following for permission to reproduce copyright photographs and material:
Key: UO = Unit Overview, L = left, C = centre, R = right, T = top, B = bottom
Lessons A&B p9(TL): Thinkstock/istockphoto; Lessons A&B p9(TR): Science Photo Library/Dan Dunkley; Lessons A&B p9(CL): Corbis/Image Source; Lessons A&B p9(CR): Corbis/Erik Isakson/Tetra Images; Lessons A&B p9(B): Shutterstock/Lurin; Lesson C p10: Rob Maidment and Sharp Focus Productions for Cambridge University Press; Lesson D p11:Alamy/Images-USA; p174 (TL): Westend61/Getty Images; p174 (TR): Goodluz/Shutterstock; p234(flat shoes): Shutterstock/bemashato; p234(track suit): Shutterstock/Peter Djordjevic; p234(jersey top): istockphoto/gsermek; p234 (tie): Shutterstock/PhotoBlink; p234(high heel shoes): Shutterstock/Jacek Bieniek; p234(earrings): Shutterstock/Elnur; p234(scarf): Alamy/Oliver Leedham; p234(sandals): Shutterstock/Ivaschenko Roman; p234(bracelet): Shutterstock/Coprid; p234(gloves): Shutterstock/Sagir; p234(sweatshirt): Thinkstock/Photodisc; p234(boots): Alamy/Finnbarr Webster; p234(belt): Alamy/D Hurst; p234(necklace): Alamy/The National History Museum; p234(socks): Alamy/Nikreates; p234(handbag): Alamy/Geoffrey Kidd; p234(shorts): Alamy/Mouse in the house; p234(raincoat): Alamy/Creative Control; p234(trainers): Alamy/Brian Jackson; p234(jumper): Alamy/Hugh Threlfall; p241(T): Alamy/Catchlight Visual Services; p241(B): Alamy/Cliff Hide Stock; p242: Alamy/John Kellerman; p243(1): Shutterstock/bikeriderlondon. p243(2): Alamy/redbrickstock.com; p243(3): Alamy/CTK; p243(4): Shutterstock/Maxim Blinkov; p243(5): Alamy/Bubbles Photo Library; p243(6): Shutterstock/homydesign; p243(7): Shutterstock/Val Thoermer; p243(8): Corbis/Billy Hustace; p243(9): Shutterstock/katatonia 82; p243(10): Corbis/Aflo; p243(11): Shutterstock/Jakub Cejpek; p243(12): Alamy/Eileen Langstey Gymnastics; p243(13): Shutterstock/Khoroshunova Olga; p243(14): Shutterstock/lightpoet; p243(15): Shutterstock/Daniela Sachsenheimer; p287(L): Shutterstock/prapass; p287(R): Shutterstock/andamanec.
Front cover photograph: Shutterstock/zhu difeng.
Cover design: Chefer
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